A
natural work is realized, in agreement with ones
philosophy of taisabaki(avoiding) with fulminating
assaults.
In Kihon's work it is given great importance to
the maintenance of the level of the hip during the
displacement, looking for major accession.
1.-Heisoku dachi
2.-Kaihei dachi (Greeting, beginning and end of
the kata)
3.-Soto Hachizi dachi
4.-Uchi Hachizi dachi
5.-Heiko dachi
6.-Shiko dachi
7. Zen-kutsu dachi
8.-Moro ashi dachi
9.-Naifanchin dachi
10.-Sanchin dachi
11-Ippon ashi dachi
12.-Nige ashi dachi
13.-Kosa dachi
14.-Kakeashi dachi
*Neko ashi dachi: It is one of the most typical
positions of the school, because of it's great versatility
both in defence and in assault.
*Ko-kutsu dachi: The anticipated foot appears
towards ahead on the line that passes for the heel
of the backward foot. The backward leg is strongly
flexioned, the knee is directed to the exterior
in 45 degrees and the foot of behind they are in
the vertical one itself. The anticipated leg is
doubled lightly by the knee and the heel a little
detached from the floor. In Kihon, both feet look
at the front.
ASHI
SABAKI (Displacements)
It is given a lot of importance to the maintenance
of the level of the hip:
Tsugi ashi: join both feet to make the displacement
(the back foot does not exceed the one ahead).
Suri ashi: displacement with the front leg,
supporting the position.
Ayumi ashi: normal displacement with guard
change
Tobi ashi: displacement with jump
Taisabaki: Displacement of the feet in a
circular path, which has, as purpose, to generate
emptiness before the assault of the opponent.
